Showing posts with label akvarellen. Show all posts
Showing posts with label akvarellen. Show all posts

Thursday, 29 October 2015

Snow Queen




Recently I decided to enrich my portfolio with an illustration for a classic tale. After short considerations my choice fell on "Snow Queen". 
I had a very clear idea in mind, both regarding composition and details. It doesn't happen very often, but this time I didn't need to make a single concept sketch (tripple HURRAY! as I don't like to waste much time on personal projects). Therefore the first step was...






1. A full-size pencil sketch:

2. Detailed ink drawing. At this stage I begun to regret the idea with a town from aerial view...

3. First layer of watercolors. Before adding paint, I splashed masking fluid with a toothbrush to make "snow".


4. Details. They were mainly added with brown ink (outlines) and white ink (more snow!). 

To make the frost on the rose I used salt, which absorbed water from wet paint and created such a fancy texture.

THE END

Thursday, 23 April 2015

"Fantasy Castle"



“I know only one thing. When I sleep, I know no fear, no  trouble, no bliss. Blessing on him who invented sleep."

Stanisław Lem, "Solaris"









This is a  kind of prelude to the tutorial about 3-point perspective. I'll present here how the drawing was created step by step. Whereas principles of perspective will be explained in the next few days in a downloadable tutorial somewhere here http://grimdreamart.blogspot.com/p/tutorials.html. (At least that's the plan)







1. Setting a composition. Guiding lines were made with a pencil:


2. Aha! experience - it will be a castle. At this stage there are lots of constructional lines and I'm still not sure what shape the castle should eventually have. Using a pencil rather than a pen is much more safe right now:


3. When all what's desired is fixed with a waterproof pen (Faber-Castell Pitt Artist Pen is my personal favorite), we can get rid of additional interrupting lines. Well, it doesn't look excessively awesome, so...


4. Let's make some additions: windows, ornaments, dragons. It's immediately more cheerful, isn't it?


5. Time for watercolors. It's better to start with the environment before we'll go to the main subject. Apparently it's not necessary to choose warm colors for the foreground and the colder ones for the background. In some circumstances an exactly opposite approach can also work out well. Let's try it!


That's how the background looked like before it dried up. Grains of salt bravely absorb water and leave a fancy pattern:


6. These additions mentioned in the step 4...ekhmm, they're easier to draw with a pen than to paint with watercolors. I should have thought about that earlier...


7. Now it's time for textures made with a thin brush and dense paint. What's even more important I had to work further on overall color settings and  unify the whole painting. It required using a broad brush and diluted paint (yellow, purple and opaque gold):


8. Working on details with a pen once more. The whole drawing looks more "sharp" that way: